Faithe J DayComedy Means (You Never Have to Say You’re Sorry)Ellen DeGeneres, Hasan Minhaj, and the Rise of PR ComedyNov 6, 202411Nov 6, 202411
InThe Ugly MonsterbyFaithe J DayMatt Rife’s Latest Comedy Special is a Masterclass in Crowd-WorkHow the Comedian Embraced Online Hate by Living His DreamsAug 16, 2024Aug 16, 2024
InAi-Ai-OHbyFaithe J DayDeep Fake Comedy and the Era of Artificial ImpersonationHow AI and Impressions Influence Stand-Up Comedy ProductionJul 1, 20244Jul 1, 20244
Faithe J DayWhen Observation is the Sincerest Form of ComedyLying, Lessons, and the Neurodivergent Quest to Find the TruthJun 17, 2024Jun 17, 2024
Faithe J DayJarring Juxtaposition: Cringe Comedy and the Next Generation of CaricatureWhat Offset’s Interview with Bobbi Althoff Exposes about Race and Representation in MediaOct 6, 20231Oct 6, 20231
Faithe J DaySnap, Crackle, Kapow: Unpacking Comedy and Violence in The Vince Staples ShowOn Rap, Realism, and My Review of Netflix’s Latest Limited SeriesFeb 28, 20243Feb 28, 20243
Faithe J DayThe Greatest Joke Ever Told: Musings on Celebrity Media, Monoculture, and Millennial MemoryWhy Millennial Humor Requires High Context Communication and Cultural UnderstandingMar 22, 20241Mar 22, 20241
Faithe J DayAwkwardly Avoidant: On Memoir and Mockumentary in Jerrod Carmichael’s ComedyReviewing HBO’s “Reality Show” and the Pursuit of Personal TruthApr 15, 20241Apr 15, 20241
Faithe J DayMatt Rife, Masculinity, and the Fear of a Female FandomPatriarchial Approval and the Pushback Against WomenNov 30, 202328Nov 30, 202328
InThe Ugly MonsterbyFaithe J DayReflecting on Gratitude and Gallows Humor in Marlon Wayans’ “Good Grief”On Conscious Grieving and Collective Healing in Amazon Prime’s Latest Comedy SpecialJun 7, 20246Jun 7, 20246