Faithe J DayThe Dating Game: What I Learned from Watching “Woman of the Hour” and Working with AIOn Technology, True Crime, and the Artificial Generation of RomanceNov 3, 202422Nov 3, 202422
Faithe J DayMy Viewing of “The Voyeurs”A review of Amazon’s latest film on social media, murder, and surveillance culture.Sep 19, 2021Sep 19, 2021
Faithe J DayJust Another Toxic Love Story: My Final Thoughts on Apple TV’s ‘Surface’Obsession, Compulsion, and the Psychology behind Constructing Queer-Coded CharactersSep 3, 20221Sep 3, 20221
Faithe J Day“Surface” is “Get Out” for Black WomenHow Apple TV+’s latest series uses mystery to navigate issues of race, gender, and classJul 31, 2022Jul 31, 2022
Faithe J DayIn Search of Flowers in the Attic: “The Origin” is “The Color Purple” for TelevisionLifetime’s latest limited series offers an intersectional take on friendship, villainy, and generational trauma.Aug 7, 2022Aug 7, 2022
Faithe J DayReviewing the Revenge GenreThe Latest Netflix films Offer a Clever Take on this Horror SubgenreOct 20, 2022Oct 20, 2022
Faithe J DayAmerican Psyche: Analyzing the Therepeautic Turn in TelevisionRepresentation, Reality, and America’s Obsession with Therapeutic Relationship EthicsOct 22, 20221Oct 22, 20221
InThe Ugly MonsterbyFaithe J DayThe Relationship between True Crime and RomanceSomething Was Wrong, Tell Me Lies, and the Romantic Crime GenreOct 26, 2022Oct 26, 2022
InThe Ugly MonsterbyFaithe J DayDark Academia: Horror in the Hallowed Halls of Higher EducationAnalyzing “Master”, Amazon’s latest film in the Black Horror genreOct 30, 2022Oct 30, 2022
InZORAbyFaithe J DayMysterious and Spooky: On Race and the Remaking of Cult ClassicsHow Narratives of Difference are Hearkening the Horror GenreNov 26, 20222Nov 26, 20222
InMomentumbyFaithe J DayGore for the Gworls: Amazon Prime’s “Swarm” as Black Horror for Lovers of CampDonald Glover does it again for stans of “Atlanta” and Childish GambinoMar 21, 20231Mar 21, 20231
Faithe J DayFear of a Flesh-Eating FutureOn “The Horror of Dolores Roach,” “Yellowjackets,” and Why Television Has Taken a Cannibalistic TurnJul 12, 20238Jul 12, 20238