InMomentumbyFaithe J DayChildish No More: The Ancestral Allure of Donald Glover’s “Atavista” AlbumDiving into Deliverance through Childish Gambino’s Penultimate ProjectMay 17, 20242May 17, 20242
Faithe J DayBreaking Down “Bando Stone” and the Magic of a Moment in MusicOn the Intersection of Film and Music in Donald Glover’s Latest ProjectsJul 31, 2024Jul 31, 2024
InAi-Ai-OHbyFaithe J DayMulticulturalism, Culture Vulturism, and Why the Latest AI Loves DrakeOn “Wah Gwan Delilah” and What AI Audio Can Teach Us About Cultural DiversityJun 10, 20242Jun 10, 20242
Faithe J Day“They Reminisce Over You”: On Rap Beef and The Reminiscence BumpOr, Why I Can’t Take a Side in the Battle Between Kendrick Lamar and DrakeMay 9, 2024May 9, 2024
Faithe J DayToo Sweet Melodies: Hozier, Hell, and the Language of Literary DeviceCommunicating Longing and the Inspiration Behind Music and PoetryMay 2, 20241May 2, 20241
InRock n’ HeavybyFaithe J DayBack to Black Ballads and Bittersweet Blues WomenOn Raye, Amy Winehouse, and The Rehabilitative Power of WritingApr 23, 20241Apr 23, 20241
Faithe J DayI Used to Love Her: On “Brown Sugar,” Hip-Hop, and the Feeling of HomeWriting Voice, Perspective, and the Changing Legacy of Hip-Hop CultureFeb 15, 2024Feb 15, 2024
Faithe J DayLight-Skinned Bieber Lore: On Usher, Justin Bieber, and the Performance that Changed EverythingOn the Disappearance and Joyous Return of Justin Beiber’s R&B Album “Journals”Feb 14, 20245Feb 14, 20245
InZORAbyFaithe J DayMade for Us: On the Performance of Race, Gender, and Sexuality in Muni Long’s Latest Music TrendHow the “Made for Me” TikTok Trend Sparked Queer Speculation and Black Boy JoyFeb 7, 20244Feb 7, 20244
Faithe J DayHello Baby, or Why Straight Women Love Lesbian TikTokUnpacking the spread of Hip-Hop artist Young MA’s music and the popularity of queer content on the TikTok app.Jul 9, 2021Jul 9, 2021
Faithe J DayThe Greatness of Gatsby: Music, Memories, and Memoir WritingWhy “The Great Gatsby” is the one novel that I must read every summer.Jul 23, 2021Jul 23, 2021
Faithe J DayCulture and Collage in the City, or “Landmarks of the Muses that Inspired the Music”Using Bricolage and Toni Morrison’s “Beloved” to remember the limitations of geographic place and the possibilities of global space.Oct 5, 2022Oct 5, 2022
Faithe J DayNo Church in the Morning: Unpacking the Rise (and Fall) of Christian MediaConnecting the Dots Between the Deconstruction Movement, Music, and the Modern-Day ChurchNov 16, 20224Nov 16, 20224
Faithe J DayHey Mr. DJ: TikTok, Spotify, and the Era of Machine Moderated MixologyHow the Era of Algorithmic Individuality is Giving Way to Programmed PlaylistsMar 20, 2023Mar 20, 2023
Faithe J Day“Crushin’ Round the Clock”: Love, Limerence, and Our Cultural Obsession with the CrushUsing Music to Understand the Difference Between a Divine Pairing and DelusionDec 28, 20234Dec 28, 20234
InRock n’ HeavybyFaithe J DayMemento Mori Mac: Addiction, Recovery, and Remembering the Music of Millenial YouthA New Year of Reflections, Resolutions, and Re-commitment to the Creative SelfJan 1, 20243Jan 1, 20243
InAn Injustice!byFaithe J DayThe Final Ballad of the Breeders: On Kink, Contraceptive Control, and Climate ChangeUsing the Discourse Around Music and Sexuality to Understand the Ethics of ProcreationJan 12, 20245Jan 12, 20245
Faithe J DayHamiltonian Hubris: Character, Composition, and the Rhetoric of Writing Self-Insert FictionOn Composite Characters, Lyricism, and The Benefits of Restorative WritingJan 23, 20243Jan 23, 20243
InRock n’ HeavybyFaithe J DayLyrics and Loverboys: On Drake, Saint Levant, and the Revolution in Habibi Hip-HopOn the Love of Location, Language, and Conscious LyricsJan 22, 2024Jan 22, 2024
InZORAbyFaithe J DayHiss Hiss Boom: Unpacking Hip-Hop Herstory and Megan The Stallion’s “Hiss” RecordTracing the Development of Diss Tracks and How Social Media Has Revolutionized the Rap BeefJan 29, 20245Jan 29, 20245