Faithe J DayReading Race, Roommates, and My Review of “Wicked”What the Movie Musical Can Teach Us About Identity Politics and ActivismNov 30, 20241Nov 30, 20241
Faithe J DayThe Dating Game: What I Learned from Watching “Woman of the Hour” and Working with AIOn Technology, True Crime, and the Artificial Generation of RomanceNov 3, 202422Nov 3, 202422
Faithe J DayWealth Never Whispers and Names Never Lie: My Latest Thoughts on “Love is Blind”A Comparative Analysis and Review of Love is Blind UK and Season 7 of USAOct 12, 2024Oct 12, 2024
InThe Ugly MonsterbyFaithe J DayWhy ‘The Bear’ is the Workplace Comedy to BeatAnalyzing Absurdism and Why the Series is More than Your Typical TV DramaJul 21, 20249Jul 21, 20249
Faithe J DayBack to Bridgerton: Reading “Queen Charlotte” as Neurospicy RomanceAnalyzing Race, Gender, and (Dis)Ability in the Regency EraMay 13, 2024May 13, 2024
InThe Ugly MonsterbyFaithe J DayLovers or Love Triangle?: Unpacking Queer Characters in ‘Challengers’On the Difference Between Homosocial Desire, Sublimation, and SexualityMay 5, 20245May 5, 20245
Faithe J DaySex for the City Girls: Revisiting “Sex and the City” in the Social Media EraExamining What the HBO Show Can Teach Us About Modern-Day RelationshipsApr 7, 20241Apr 7, 20241
Faithe J DayAwkwardly Avoidant: On Memoir and Mockumentary in Jerrod Carmichael’s ComedyReviewing HBO’s “Reality Show” and the Pursuit of Personal TruthApr 15, 20241Apr 15, 20241
Faithe J DayI Used to Love Her: On “Brown Sugar,” Hip-Hop, and the Feeling of HomeWriting Voice, Perspective, and the Changing Legacy of Hip-Hop CultureFeb 15, 2024Feb 15, 2024
Faithe J DaySnap, Crackle, Kapow: Unpacking Comedy and Violence in The Vince Staples ShowOn Rap, Realism, and My Review of Netflix’s Latest Limited SeriesFeb 28, 20243Feb 28, 20243
Faithe J DayNavigating Never Enough Narratives in Netflix’s “Love is Blind”Healing, Heartbreak, and Understanding the Meaning of “Waiting My Turn” for MarriageMar 7, 20244Mar 7, 20244
InMomentumbyFaithe J DayRustin, the Harlem Renaissance, and the Revival of Black Queer HistoryExploring the Legacy of Academics, Artists, and Activists Queering Art, History, and MediaFeb 1, 2024Feb 1, 2024
Faithe J DayThe Brats of Bridgerton: Using Archetypes to Analyze Complex Characters and Controversial ScenesUnpacking Rakes, Romance, and Relationship Dynamics in Netflix’s Bridgerton SeriesJan 24, 20243Jan 24, 20243
InMomentumbyFaithe J DayGore for the Gworls: Amazon Prime’s “Swarm” as Black Horror for Lovers of CampDonald Glover does it again for stans of “Atlanta” and Childish GambinoMar 21, 20231Mar 21, 20231
InCounter ArtsbyFaithe J DayThis One’s for the Ladies: On Bada Lee, Queer Culture, and the Racialization of Hip-Hop DanceExamining the Intersection of Race, Gender, and Sexuality in Strip Clubs and ChoreographyJan 10, 20246Jan 10, 20246
Faithe J DayRace to the Top: Making Meaning of Media on Billionaires in SpaceDespite popular news and comedic coverage, the billionaire space race is no laughing matter.Jul 21, 2021Jul 21, 2021
Faithe J DayGet in Losers, We’re Reviewing “Mean Girls”: The Movie MusicalAnthropology, Sexuality, and the Feminist Messages Behind a Millennial FavoriteJan 15, 2024Jan 15, 2024
Faithe J DayVirgo or Villain: Decoding Duality in the Latest Boots Riley JointAmazon Prime’s Series “I’m a Virgo” Is Another Afrosurrealist RideAug 4, 2023Aug 4, 2023
Faithe J DayJarring Juxtaposition: Cringe Comedy and the Next Generation of CaricatureWhat Offset’s Interview with Bobbi Althoff Exposes about Race and Representation in MediaOct 6, 20231Oct 6, 20231
Faithe J DayThe Professor is In: Ranking the Accuracy of the Media’s Most Popular Academic ArchetypesOn the proliferation of PhDs and the professoriate in popular cultureOct 17, 20231Oct 17, 20231